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Canada is the second largest
country by land mass in the world, with a history of
British and French occupation. Although Canada has
excelled in both sport and entertainment it often,
unfortunately, doesn’t get the credibility deserved. The
average American thinks of Canada and music and country
or pop comes to mind. For those familiar with the music
and culture of Canada we know music comes in all forms
and among those set to lead the way in progressive metal
music from Canada is Gates of Winter.
With the release of their “Lux
Aeterena” the Canadian metal band Gates of Winter has
drawn attention. Critics like it, fans have clamored for
it and with a keen ear towards the fans the band clearly
understands “give them what they want.” Many produce
music with energy, and catchy melodies come from many
talents but wrapping that together with a bow of passion
is a gift to metal fans everywhere.
Formed in 2003, Gates of Winter is
from Sault Ste Marie in Ontario. The city has made a name
in the steel industry while Gates of Winter seek to make
a name of their own in a different kind of metal and with
a different type of music than the rock group Treble
Charger, from the same city.
With influences such as Metallica,
Iron Maiden, Iced Earth, Dream Theater, Children of
Bodom, Dimmu Borgir, Cradle of Filth, In Flames and
Nevermore there is an inspirational talent to pull from
and the members of Gates of Winter make no waste of that
inspiration. Although a young band in age and in time
together do not let that distract from the talent within
the music. The average age of the band members is 20,
with little formal musical education.
In 2004 they recorded, practiced,
wrote and prepared to hit the ground running and with the
release of the 5 track demo they achieved a
fast-out-of-the-gate start that didn’t sacrifice quality
for speed. In 2005 they released an EP Gates of Winter
with the full length cd “Lux Aeterena” being released in
early 2008. There is a professional sound much beyond age
and it underscores experience and natural talent. The
first demo cd, released in February 2005, included five
tracks that were self produced and included popular crowd
songs like “Hidden Enemy” and “Far Gone”. As they gained
a following, and a “name” they headlined the first
RotaryFest Original Music show as well as co-headlined
with Heatwave that year.
Lee Maines leads Gates of Winter
on vocals and rhythm guitar. Rounding out the band is
Bryan Belleau on lead guitar, Steve Angelo Furgiuele on
bass, Brian Holmes on keyboards and David Gold on drums.
With their self released cd there is solid bass
underscoring enough keyboards for good effect with
flashes of synth coming out to get enough attention in
the right way.
Like any developing band this one
has seen changes but the power of the music holds on.
With a solid first effort it sets the stage for a career
delivering good music to metal fans. It’s a combination
of features that they make their own. Each member brings
something special to the table and while each member of
the team is talented, when welded together it makes music
that must be heard.
Lee Maines cites writing music as
a favorite pastime while David Gold endorsed, and plays,
Peace Drums. Although just 28 Gold has been playing drums
for 14 years, moving up just as Gates of Winter are now.
With a personal and professional life close together
music is more than just a job.
Lee Maines brings a near
theatrical feel to the music with both highs and lows of
emotion. He does an outstanding job vocally and is
absolutely a talent to watch. With early influences of
the Stone Temple Pilots Metallica and Tool among others
and more recently Nevermore, Dream Theater Rhapsody and
Symphony X among the influences there is a high level to
aim for musically and from a writing
standpoint.
Guitarist Bryan Belleau is a
gifted musician graced with an ability to make his guitar
not just talk but with strength and vigor demand
attention with power chords, active riffs (like that
heard on "Winter Flight,") and top notch
solos.
Brian Holmes keyboards are blend
perfectly into the overall end result, with the ideal
amount of volume. This is underscored especially on songs
like "The Wildwood Pariah" and "Gates of
Winter."
Adding to the band is solid
bassist Steve Furguiele who makes the bass come alive on
songs such as "Gates of Winter". With over 50 live shows
under their belts the live show combines the freshness of
new music with the experience to be able to step up as a
progressive sound.
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